
Jefferson Mays turns in a riveting solo tour de force performance playing more
than three dozen different roles.
June 20, 2005
I Am My Own Wife
By Ed Kaufman
Wadsworth/Geffen Playhouse, Brentwood, Calif.
Through July 10
With a text by talented Doug Wright, astute direction by Moises Kaufman and a
riveting solo tour de force performance by Jefferson Mays, "I Am My Own Wife" is
captivating, witty and altogether compelling.
Based on a true story and inspired by interviews conducted by the playwright
over several years, "I Am My Own Wife" tells the fascinating and astonishing
tale of Charlotte von Mahlsdorf (christened Lothar Berfelde at birth), a
transvestite antique collector who remarkably survived the Nazi era and the
subsequent Communist regime while keeping her unique identity and precious
collection of century-old antiques.
As amazing as von Mahlsdorf's story is the solo performance of Mays, who
portrays the iconoclastic and enigmatic collector along with more than three
dozen others who were touched by her. Mays is mesmerizing as he transitions
among characters with great fluidity; he makes character shifts obvious with
only the smallest gesture. No wonder the show has garnered Tonys for best play
and best actor, the Pulitzer Prize for drama and an Obie for best director.
When we first see Mays (as von Mahlsdorf), he enters from behind a wall of lace;
a slim figure, clearly a man wearing a black dress, a black headwrap, sensible
shoes and a pearl necklace. He looks at the audience, smiles and then
disappears, only to return carrying an antique phonograph. Soon we are aware
that we are in a floor-to-ceiling collection of antique pieces (some of it
broken junk): sideboards, gramophones, clocks, sofas, etc.
Onstage are a table and three antique chairs, and a couple of ubiquitous
gramophones. The collection is her life story -- which includes a cross-dressing
lesbian aunt and a brutal Nazi father -- in communist East Germany under the
watchful eyes of the Stasi, the Communist secret police. At one time, she worked
as a Stasi informant -- all this in order to survive. Or so Wright concludes.
What comes through in "I Am My Own Wife" is the utter complexity of Charlotte
von Mahlsdorf and her instinct for survival. The play evokes many agendas,
including that of the stuff of biography. What is truth and what is fiction? We
will never know. All that we do know is that "I Am My Own Wife" is an
extraordinary theatrical event.
I AM MY OWN WIFE
Presented by Wadsworth Theatre/The Geffen Playhouse/Delphi Prods. in association
with Playwrights Horizons
Credits:
Playwright: Doug Wright
Director: Moises Kaufman
Scenic designer: Derek McLane
Lighting designer: David Lander
Costume designer: Janice Pytel
Sound designers: Andre J. Pluess, Josh Bender Dubiel
Starring:
Jefferson Mays# # # # #
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